Nancy Macko received her graduate degrees from the University of California, Berkeley. Macko is Professor of Art at Scripps College in Claremont, CA. Macko's work is in numerous public collections including: Metropolitan Museum of Art; Fine Arts Museums of San Francisco, Brown University; Grunwald Center for the Graphic Arts, UCLA Hammer Museum; Los Angeles County Museum of Art; Mount Holyoke College Museum of Art; the New York Public Library; North Dakota Museum of Art; Pomona College Museum of Art; Gilkey Center for Graphic Art, Portland Art Museum; and the RISD Museum of Art.


Recent one-person exhibitions include Texas A&M University; The Museum of the Southwest, TX; The Pentacrest Museums, University of Iowa; The Discovery Museum, CT; University of Wisconsin, Madison.


Upcoming exhibitions scheduled at Hilliard Art Museum University of  Louisiana; Phillips Museum of Art, PA; and Alden B. Dow Museum of Science and Art, MI.


Since the early nineties, Nancy Macko has drawn upon images of the honeybee society to explore the relationships between art, science, technology and ancient matriarchal cultures. Today, she combines elements of printmaking, digital media, photography, video, and installation to create a unique visual language. This combination of media allows her to examine and respond to issues related to eco-feminism, nature, and the importance of ancient matriarchal cultures, as well as to explore her interests in the relationships between art and technology, science, evolution and ecology.


For the last ten years, Macko has been photographing flora using a macro lens in order to reveal the less apparent, less obvious features concealed within these beautiful specimens. She captures them from bud to bloom to seed -- all manifestations of the life cycle. Her current research includes documenting native bee-attracting flora, beginning in Southern California and branching out to the northeast and the high elevation area of the Rocky Mountains.


Her previous explorations addressed issues of memory loss, dementia and cognitive decline –changes she witnessed as they affected her aging mother’s mental health. Uniting a life-long commitment to incorporate a spiritual respect for the world with her subject matter, Macko integrated aspects of aging and decline with notions of the spirit of life regardless of what point on the continuum we find ourselves. Her interest in 'end of life' has clearly informed her photography.


Macko’s mid-career survey show, Hive Universe: Nancy Macko, 1994-2006, was exhibited at the Municipal Art Gallery in Los Angeles in 2006-7 and was accompanied by a full color catalog. This was the most substantive and comprehensive examination of her work to date and included over 60 pieces spanning various media—traditional and digital prints, video, and mixed media works on wood panels. As part of the national Feminist Art Project, Hive Universe was the forerunning exhibition in Los Angeles to recognize the achievements of the feminist art movement. Her work has been reviewed and written about in Artweek, ArtScene, Artillery, Coast, exposure, Daily Serving, LA Weekly and the LA Times among other publications and journals.


Originally from New York, Macko received her undergraduate degree from the University of Wisconsin and her graduate degrees from the University of California, Berkeley with a concentration in painting and printmaking. She has been a practicing artist since the early 1980’s, producing over thirty solo exhibitions and participating in over 150 exhibitions both nationally and abroad. She has received more than 30 research and achievement awards for her art. She has traveled extensively and has had highly productive artist residencies at the Banff Centre for the Arts in Canada and the Musee d’Pont Aven in Brittany, France.




Virtual exhibition