Victoria Lowe attended the University of Alabama at Tuscaloosa, and received a B.S. in Education, 1969 and an M.A. in Art (painting, drawing, sculpture), 1971. Lowe also attended University of Maryland, College Park for Post-Graduate studies in Life Sciences & Psychology, 1989-1992.


Lowe’s paintings and drawings have focused primarily on atmospheric surfaces and gradations of color. Recent works employ lines and shifting color moving across multiple panels to create one large piece. 

Lowe’s solo exhibitions include Everhart Museum of Natural History, Science and the Arts, Scranton, PA (2019); Quincy Art Center, IL, (2019);  Museum of Arts & Sciences, Macon , GA; The Butler Institute of American Art, Youngstown, OH; Platform Art Forum, Lakeland, FL; Hardin Center for Cultural Arts, Gadsden, AL; Morris Museum of Art, Augusta, GA; Florida Southern College, Lakeland; The White House, Washington, DC; and Cramer Gallery, Washington, DC. Group exhibitions include the Corcoran Gallery of Art, Washington, DC; Polk Museum of Art, Lakeland, FL; Mobile Museum of Art, AL; and the Birmingham Museum of Art, AL.


Victoria Lowe, originally from Birmingham, Alabama,  spent most of her life in Washington, DC before landing in central Florida. She was focused on art from an early age and found ways to work on independent projects throughout her elementary and high school years. She entered the University of Alabama at seventeen and received her BS in education in 1969. As an undergraduate, Lowe felt like she “found a family of kindred spirits” in the art department.


Two professors became her mentors; Melville Price, who played an important role in the Abstract Expressionist movement in New York, and Howard Goodson, who was instrumental in the style’s regional influence. Both revered Hans Hoffman as an artist and a teacher, patterning their classes after his method of eliciting creative expression from the students. Lowe was encouraged to find her own path as an artist, and this became a model for her own teaching as a professor of art at Florida Southern College and Florida Polytechnic University.


In the art department, Lowe and her fellow students were exposed to new developments in art, including Abstract Expressionism and Color Field painting. She cites artists who “inspired deep emotional responses” – Claude Monet, J.M.W. Turner, Barnett Newman, Ad Reinhart, Rothko, and Olitski. James Turrell is a contemporary artist who is particularly important for Lowe, for his sensitive use of light. An important influence has been travel and the art and archeology of Mexico and ancient Egypt. Lowe has described her experience as a child of gazing through a telescope at the stars in the night sky, the sense of connectedness she felt, and how it continues to inspire her art. She cites her experience meditating, initiated in childhood, as giving her access to the inner space evoked in her paintings.


In graduate school at the University of Alabama, Lowe focused on painting, receiving her MA in Visual Arts in 1971. Spray painting emerged as her primary technique while still in school and after her move to Washington, DC, where she lived from the 1970s until 2006, when she moved to Lakeland, FL. In Washington she was a member of a performance art group lead by Marta Minujin of Buenos Aires that appeared at the Museum of Modern Art and in galleries in New York.


During the1970s, Lowe produced the sprayed painting series, Ener-Area and Ener-Space, which focus on shifting, atmospheric fields inflected by colored coronas. The Ener-Section Series that followed features abstract gateways to pictorial space. In the 2000s, the artist has created drawings composed of lines and gestural elements, in pastel and graphite. In the Mind-Space Series, she has switched from enamel to acrylic and introduced lines and spheres moving across the surface. Sequences of smaller canvases or drawings together form a single work, extending Lowe’s explorations of energy and the emotive experience of color that she has pursued over the past four decades.